Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Medieval War Scene oil painting


Medieval War Scene
1865
Painting ID::  914
Edgar Degas
Medieval War Scene
1865
   
   
     

Edgar Degas Young Spartans oil painting


Young Spartans
1860 Art Institute of Chicago
Painting ID::  915
Edgar Degas
Young Spartans
1860 Art Institute of Chicago
   
   
     

Edgar Degas The Young Spartans Exercising oil painting


The Young Spartans Exercising
1860-62 109 x 154.5cm National Gallery, London
Painting ID::  916
Edgar Degas
The Young Spartans Exercising
1860-62 109 x 154.5cm National Gallery, London
   
   
     

Edgar Degas The Millinery Shop oil painting


The Millinery Shop
1882-86 Art Institute of Chicago
Painting ID::  917
Edgar Degas
The Millinery Shop
1882-86 Art Institute of Chicago
   
   
     

Edgar Degas At the Milliner's_m oil painting


At the Milliner's_m
1882 Metropolitan Museum of Art, New York
Painting ID::  918
Edgar Degas
At the Milliner's_m
1882 Metropolitan Museum of Art, New York
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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